Hey everyone It appears that Drake has finally entered the ring, responding to Kendrick, Future, Metro Boomin, and all the others he’s been feuding with. His diss track, “Push-Ups: Drop and Give Me 50”, recently leaked, and let me tell you, it’s intense. The bars are fire, and Drake really went all out on this one. You’ve got to hand it to him; he brought his A-game.
But here’s the big question: Will this be enough? Drake is facing off against some heavy hitters in the rap game right now, and Kendrick, in particular, is a wildcard. He could attack Drake from so many different angles and really shake things up. So, is Drake’s track going to stand the test of time? It’s hard to say, but it’s definitely a solid effort on Drake’s part. At least he stepped up to the plate and responded, which is more than can be said for some other artists (cough J. Cole cough).
Speaking of which, I’ll save my thoughts on J. Cole’s recent actions for another video. But for now, let’s focus on Drake’s diss track and his ongoing beefs with some of the heavyweights in the industry.
The root of this entire debacle? Look no further than Future and Metro Boomin. The clash between Drake and Future, alongside Metro Boomin, ignited the flames. Their collaborative project, “We Don’t Trust You,” became the catalyst, with its pointed jabs aimed squarely at Drake. Not content with just the one project, they doubled down with “We Still Don’t Trust You,” bolstered by appearances from heavyweights like A$AP Rocky and The Weeknd, all united in their aim to take shots at Drake. Even Rick Ross threw his hat into the ring, aligning himself with the anti-Drake faction. Whether there was a formal gathering or simply a collective realization of grievances, these artists banded together, led by Future and Metro Boomin, to confront Drake and air their grievances.
In the realm of hip-hop, rumors swirl and tensions rise as artists navigate the intricate web of collaborations and business deals. One such saga unfolded between Future, Metro Boomin, and Drake, sparking a flurry of speculation and dissonance within the industry.
It was whispered that Future and the esteemed producer Metro Boomin were incensed when Drake, a supposed collaborator, reneged on their plans for another joint project. Instead, Drake opted to team up with 21 Savage, birthing the track “Her Loss.” This unforeseen turn left Future and Metro Boomin dismayed, for it wasn’t merely a creative endeavor that crumbled, but a lucrative opportunity forsaken.
Yet, the rift between Future and Drake seemed to deepen beyond this business fallout. Future’s lyrical hints in “We Don’t Trust You” pointedly addressed Drake’s alleged antics: “You a ‘s number one fan, dawg, sneak dissing, I don’t understand, dawg, pillow talking, acting like a Fed, dawg.” The veiled references to Drake’s “In Your Feelings” and “For All The Dogs” albums were unmistakably aimed at the Canadian star.
In a retaliatory verse in “Push-Ups: Drop and Give Me 50,” Drake countered Future’s jabs, asserting his significance in their collaborations: “I can never be nobody’s number one fan, your first number one, I had to put it in your hand, you Peas can’t get booked outside of America, foreign, I’m out in Tokyo ’cause I’m big in Japan.” Drake’s words, while sharp, carried weight, reminding listeners of the undeniable impact he wielded, especially in Future’s career.
Not stopping there, Drake took aim at Metro Boomin with the cutting line, “Metro, shut your ha up and make some drums.” This verbal sparring extended even to Rick Ross, inviting a response from the seasoned rapper.
In the volatile landscape of hip-hop, alliances shift and tensions simmer beneath the surface, leaving fans and insiders alike eagerly awaiting the next chapter in this unfolding drama.
Other individuals, like Rick Ross, have taken a stance against him. Rick unfollowed Drake, prompting Drake to exhibit his characteristic pettiness by inviting his ex-girlfriend, Christina, to his show. In a diss track, Drake didn’t mince words, suggesting, “I might take your latest girl and cuff her like I’m Ricky, can’t believe he jumping in this end turning 50, every song that made it on a chart he got it from Drizzy, worry about whatever you got going on with you and uh, Diddy.” While it’s unclear if this was the exact context, the rhyme is apparent.
Rick Ross swiftly fired back with a diss track titled “Champagne Moments,” seemingly ready and waiting in his arsenal. He took shots at Drake, alleging he had undergone cosmetic procedures, including a nose job and a fake six-pack, and even referred to him as a white boy. Ross accused Drake of employing ghostwriters and acquiring his clout from Lil Wayne. He also revealed the catalyst for his rift with Drake, citing Drake’s legal action against French Montana as the reason for unfollowing him, accusing Drake of meddling with Montana’s project.
Drake’s interference in French Montana’s album also irked Rick Ross, as Drake allegedly prevented the use of his verses on French’s tracks “Big Pun” and “Splash Brothers.” Tia Kemp, Rick Ross’s ex, further fueled the fire by insinuating that Ross harbors resentment towards Drake and even suggested racism, pointing out Ross’s child with a Russian woman who bears a striking resemblance to Drake.
Despite Drake’s successes, he isn’t immune to criticism. Many artists harbor undisclosed animosity towards him, despite seeking collaborations and hit songs from him. Drake’s calculated maneuvers and occasional betrayals may contribute to this sentiment. However, it’s undeniable that jealousy simmers beneath the surface among his peers. Drake’s actions have also caused rifts with other artists, such as his fallout with The Weeknd.
The dynamic between The Weeknd and Drake is intriguing, with a history that’s both intricate and somewhat tangled. It all originates from Drake’s desire to have The Weeknd join him as a permanent writer, potentially signing him to OVO Records. However, The Weeknd opted to pursue his own path, wary of experiencing a fate akin to PartyNextDoor. This decision seemed to leave Drake feeling somewhat disgruntled at one point.
Additionally, their relationship became strained over matters concerning Bella Hadid, highlighting how personal matters, especially involving women and money, tend to escalate tensions between individuals. The Weeknd didn’t hold back, addressing Drake on Future and Metro Boomin’s collaborative album, “We Still Don’t Trust You.” In the track “All To Myself,” he subtly hinted at his independence, expressing gratitude for not signing away his artistic freedom.
Drake fired back, targeting The Weeknd’s manager, Cash XO, alleging mismanagement of funds and insinuating involvement with other men. He dismissed The Weeknd’s credibility, mocking the “XO” label as emblematic of affection rather than street credibility.
Despite the apparent seriousness of Drake’s diss track, The Weeknd seemed to take it in stride, displaying amusement by sharing a picture of himself laughing on social media.
Drake’s response also seemed to extend beyond his feud with The Weeknd, possibly taking a jab at Travis Scott. Drake hinted at Scott’s involvement in hyping up a diss track by Metro Boomin and Future at a Rolling Loud event. His cryptic lyric hinted at potential drama involving Scott’s ex-partner, Kylie Jenner.
Certainly! Here’s a rewritten version of the passage:
The ongoing rivalry between Drake and Kendrick Lamar has been a focal point of discussion, particularly after Drake’s recent remarks, which many believe were aimed directly at Kendrick. This feud isn’t new; it’s been simmering for over a decade, as both artists vie for the coveted top spot in hip-hop. While each has their unique contributions to the genre, they’re keen on distinguishing themselves as the ultimate champion, not equals. Kendrick, in particular, seems averse to any comparison to Drake, asserting that Drake’s artistry pales in comparison to his own. On the flip side, Drake harbors some resentment towards Kendrick’s elevated status, feeling overshadowed by Kendrick’s reputation as a more authentic rapper compared to his own pop-centric image.
This clash of egos has manifested in subtle jabs and veiled disses exchanged between the two over the years. Drake attempted to diminish Kendrick’s significance by teaming up with J. Cole on “Forest Hills Drive,” a move that seemed to downplay Kendrick’s relevance. However, while Drake excluded Kendrick from his boasting about being among the top two in the game, J. Cole acknowledged Kendrick’s place in the “big three,” albeit positioning himself as the greatest of them all.
The tensions reached a new height when Kendrick fired back in his track “Like That,” specifically targeting Drake. His lyrics, “I got two Ts with me, I’m snatching chains and burning tattoos, it’s up,” were interpreted as a direct threat towards Drake, hinting at potential conflict. Kendrick also dismissed the notion of a “big three,” asserting his individual greatness and casting doubt on Drake’s contributions. His reference to Drake’s album “For All The Dogs” and the line about “burying” Drake suggests a desire to cement his own legacy while overshadowing Drake’s.
In response, Drake retaliated with a scathing verse that not only disparaged Kendrick but also brought up personal matters, including references to Kendrick’s wife, Whitney. This escalation in hostilities underscores the deeply entrenched rivalry between these two hip-hop heavyweights, leaving fans eagerly anticipating the next move in this ongoing saga.
Kendrick Lamar’s recent diss track has sparked quite the debate, and it’s hard to deny its impact. Titled “Push-Ups: Drop and Give Me 50,” the track pulls no punches, taking aim at various aspects of Kendrick’s career and personal life.
One of the most striking aspects of the track is its title, which cleverly references Kendrick’s alleged online activities and his less-than-ideal record deal situation. By taunting Kendrick with the command to “drop and give me 50,” the diss track draws a parallel to the portion of Kendrick’s music publishing that reportedly went to his former label owner, highlighting the imbalance in their professional relationship.
The lyrics of the track further escalate the confrontation, with lines like “You won’t ever take no chain off us, how the F you big Stephen with a size seven men’s on this” directly challenging Kendrick’s stature and success. The reference to Kendrick’s image on the wall during alleged extortion schemes adds a gritty layer to the diss, suggesting a long-standing pattern of manipulation and control.
The track doesn’t stop there, taking shots at Kendrick’s recent album and the way he’s perceived in comparison to other artists like Drake. The line “Pull your contract ’cause we got to see the split” cuts deep, insinuating that Kendrick’s financial dealings aren’t as transparent as they seem.
Drake doesn’t hold back when addressing Kendrick’s perceived status, dismissing him as a “pipsqueak” and asserting his own dominance in the rap game. The reference to Kendrick’s hometown and the love shown to another artist only adds fuel to the fire, driving home the point that Kendrick may not be as untouchable as he seems.
But perhaps the most contentious moment comes when Drake mentions Kendrick’s wife, Whitney. While the reference to the movie “The Bodyguard” could be seen as a playful jab, the implication of infidelity is a serious accusation that could have far-reaching consequences.
In the end, Kendrick’s response to Drake’s diss track remains to be seen. But one thing’s for sure: the tension between these two titans of hip-hop is at an all-time high, and fans can’t help but speculate about what will happen next.
J. Cole’s recent actions have stirred some controversy, especially with regards to his backtrack after dropping a diss record towards Kendrick Lamar titled “Seven Minute Drill,” in response to Kendrick’s verse on “Like That.” Many were taken aback when Cole removed the song and issued an apology, expressing regret over its release. This move prompted criticism, with some viewing it as Cole throwing in the towel rather than seizing the opportunity to assert his status as the premier lyrical rapper of our generation. Drake, in particular, voiced his dissatisfaction with Cole’s decision, asserting that he himself isn’t backing down from Kendrick the way Cole did. Drake minced no words, labeling Cole’s move as weak.
Nevertheless, Drake’s response to Kendrick has been met with approval, showcasing his willingness to engage and defend himself against any critics. While anticipation brews for Kendrick’s retort, there’s an expectation that it may echo the intensity of past rap beefs, such as the one between Drake and Pusha T. Kendrick’s arsenal of potential angles to attack Drake is vast, leading to speculation about the impact his response could have.
Drake, however, has earned respect for his bold approach, not only confronting Kendrick but also addressing any and all who have criticized him. Even if Kendrick were to deliver a devastating blow in response, Drake’s willingness to take on multiple challengers solo ensures he won’t be perceived as a complete loser.
As discussions continue to swirl around this topic, viewers are encouraged to share their thoughts in the comments section below. Don’t forget to like, comment, subscribe, and share this video if you found it insightful. Thank you for watching, and until next time, take care.