Hey everyone! Welcome to the Tori Kelly album review. Let’s kick off this video by diving into some fresh tunes, starting with a big shoutout to Tori Kelly. Recently, Tori dropped a music project, seems like it’s an EP, simply titled “Tori”. And let me tell you, I gave it a listen, and I’m thoroughly impressed. I’ve always admired Tori’s talent – she’s an exceptional vocalist with some great tracks under her belt. While I haven’t kept up with all her releases, this project caught my eye because it’s taking a different direction. There’s a shift in her image and visuals, drawing some inspiration from the rap duo Fly Anakin Boss, known for their viral hit “You Wish” and their unique visual style. Tori seems to have taken a page from their book, and I’m here for it. She’s really mixing things up, especially with her sound. While she still delivers her signature pop and R&B vibes, there’s a fresh infusion of drum and bass that gives her music that extra spark. It’s got me grooving to every track on the EP – no skips here! “Cuts” and “Shelter” are definite standouts for me, though every song holds its own charm. On a more serious note, I’m relieved to see Tori back in action after her health scare with blood clots around her vital organs. It’s a reminder to cherish our favorite artists while they’re still making music. Speaking of artists making moves, let’s switch gears to Normani, who’s shaking things up by bringing in new management to steer her career in the right direction. Word on the street is she’s parted ways with her former manager, Brandon Silverstein, and signed on with fresh talent to elevate her game.
Normani has made a significant move in her career by signing with a new management team. She has enlisted the expertise of Brandon Creed, known for managing pop sensations like Troye Sivan and Charlie XCX. Additionally, she has partnered with Lydia Asrat, who has played a pivotal role in the success stories of artists like Coco Jones and Doja Cat. This strategic decision reflects Normani’s commitment to her craft and her determination to propel her career to greater heights.
The choice to work with two managers specializing in different genres underscores Normani’s versatility as an artist. With one manager focused on promoting pop acts and the other experienced in marketing R&B and hip-hop talents, Normani is poised to explore diverse avenues in her musical journey.
This transition marks a crucial step for Normani, who had seemed somewhat stagnant in recent times. Despite her undeniable talent, she faced challenges in releasing new music, often reliant on label approvals. However, with a proactive management team behind her, Normani is poised to break new ground, secure performances, and enhance her visibility in the industry.
The decision to part ways with her former manager, Brandon Silverstein, seems to have been a necessary one. Speculation arose when producer Tommy Brown tweeted about managers potentially hindering careers, prompting discussions about Normani’s managerial situation. Now, with a fresh start and a supportive team, Normani is embarking on a promising chapter in her career.
Fans and industry observers alike eagerly anticipate Normani’s next moves, confident that her newfound management team will facilitate smoother operations and unlock new opportunities. As she prepares to unveil her next single, optimism abounds for the future trajectory of her career.
The upcoming single in the pipeline for release by Normani is “Candy Paint,” an up-tempo track brimming with infectious energy. Anticipation is high for its potential to become a smash hit, and I’m genuinely excited for her and wish her every success as she progresses in her career. I’ve always maintained my belief that Normani possesses the qualities of a true star; she just needs to find the perfect blend of elements to propel her to greater heights. It’s possible that exploring new management avenues could prove beneficial for her journey.
Shifting gears, recent attention has been directed towards Doja Cat due to allegations of appropriating popular phrases coined by other social media personalities. Notably, Rolling Ray, known for his viral catchphrases, has accused Doja of essentially stealing his intellectual property. Last year, Doja Cat began selling merchandise featuring the phrase “It’s giving,” a term popularized by Rolling Ray. Despite its origins, she trademarked the phrase and commercialized it without proper acknowledgment. This sparked criticism from Rolling Ray, who rightfully voiced his discontent.
More recently, Doja Cat drew ire for incorporating another catchphrase, this time from Nene Leakes, into her merchandise. When Rolling Ray confronted her about this appropriation, he lamented the trend of profiting off stolen cultural expressions within the black community. Despite initially expressing remorse and offering to collaborate after being called out by Rolling Ray, Doja Cat failed to follow through on her promise, leaving him feeling disregarded and disrespected.
These incidents shed light on the complexities of cultural appropriation and the importance of respecting the origins of cultural expressions. While Doja Cat is undoubtedly talented, her actions have raised valid concerns about ethical conduct and accountability within the entertainment industry. It’s a reminder that talent alone does not absolve individuals of their responsibilities to uphold ethical standards and honor the creative contributions of others.
We also discussed the possibility of me receiving compensation and merchandise, but I never received either. Despite assurances from her that she would address this matter with her team and arrange for shipment, I never received any tracking information or notification, nor did I see any financial gain. I even updated her with my new address after moving, but still received nothing. Despite further communication, nothing has been sent my way. It seems as though she wanted me to remain silent while benefiting from the work of other creators.”
Doja has faced accusations of appropriating content from other creators and profiting from it. While she may be operating within legal boundaries, her actions are ethically questionable. As someone known for their creativity and artistic expression, it’s disappointing to see her resort to taking phrases from others, which comes across as lazy and unoriginal. Her treatment of Rolling Ray was unjust, and I’ve personally lost interest in her current era.
Throughout this period, Doja has been embroiled in various controversies, from allegedly protecting her boyfriend Jay Cyrus despite accusations of racism and predatory behavior, to publicly berating her fans and embracing unsettling and dark imagery in her promotions. This shift in her image is not a statement of rebellion or edginess; rather, it reflects her genuine interests and values. Her recent actions have revealed her true character, and I find myself increasingly disinterested in her work. The situation with Rolling Ray and the appropriation of catchphrases only further solidifies my stance.
While I recognize Doja’s talent and her ability to produce enjoyable music, she simply does not resonate with me anymore. This does not mean I advocate for her cancellation; ultimately, her fate in the industry is determined by her audience. However, personally, I cannot continue to support her. She’s just not my preference. I invite you to share your thoughts on this matter in the comments section below. If you found this video insightful, please like, comment, and subscribe, and feel free to share it with others who might be interested. Thank you for watching, and until next time, take care. Goodbye.