Greetings, everyone, and welcome! Exciting tidings for the dynamic duo of Meghan Thee Stallion and Beyoncé as their remix of “Savage” secures the top spot on the Billboard 100 chart. This achievement holds particular significance for Meghan, marking her inaugural number-one hit, achieved in collaboration with none other than Beyoncé herself – a remarkable milestone indeed! My heart swells with joy for both Meghan and Beyoncé. Notably, this marks Beyoncé’s seventh solo number-one hit, solidifying her status alongside Mariah Carey as one of the few artists to achieve this feat across four decades.
What truly resonates with me about this achievement is not only the celebration of two immensely talented black women occupying the apex of the charts but also the organic ascent of their song to the number-one position. Without the aid of a music video, their track soared purely through the power of streaming and radio play. Personally, I couldn’t escape the infectious beats as “Savage” reverberated through the airwaves during my daily drives. Beyoncé’s influence undoubtedly played a pivotal role in elevating the song, complementing Meghan’s undeniable prowess.
While I initially harbored some reservations about Beyoncé’s subdued promotion of the track, in hindsight, such concerns seem trivial. With her three mesmerizing verses and melodic vocals, she lent undeniable credence to the song’s success. By graciously allowing Meghan to bask in the limelight and leveraging the potency of social media platforms like TikTok, Beyoncé’s strategy proved both astute and effective. Ultimately, I find myself filled with genuine happiness, particularly for Meghan, as she revels in this monumental moment of her career.
She also mentioned that if her track hits number one, she’s planning to release the “Cash” video featuring The Baby, so I’m eagerly anticipating that, Meghan. Moving on, Meghan reacted to the fantastic news by saying, “Hotties, we’ve clinched the top spot on the Hot 100 for the first time ever. We did it! Thank you, God. This is our debut, but mark my words, it’s just the beginning. I adore you all immensely. Houston, we’ve achieved something big.” It’s truly exciting! Once again, a huge congratulations to Meghan and Beyoncé.
Now, onto the next topic, let’s discuss Doja Cat. While some may be tired of hearing about the Doja Cat saga, for those unaware, she faced heavy criticism on Twitter recently after videos surfaced of her engaging in inappropriate behavior with individuals on Tiny Chat. Allegations also arose that some of these individuals were associated with white supremacy. Moreover, Doja Cat faced backlash for using racially insensitive language and racist terms like “Dindu Nuffin” in her music. Following these revelations, social media condemned her actions, with many unearthing old tweets and videos where she denigrated her own black heritage. One purported tweet reads, “Contemplating my blackness could plunge any reasonable person into despair. Imagine being white instead. Wouldn’t life seem more meaningful?” Consequently, Doja Cat received widespread criticism and issued an apology on Instagram. However, her apology was poorly received, leading her to address the matter further in an Instagram live session. While I won’t showcase the entire clip here, I’ll provide excerpts and discuss them afterward. Let’s take a look.
The apology shared was a collaborative effort between myself and my colleagues. I’m fully aware of the sentiments expressed regarding self-perception. There was a video where I candidly discussed my hair, particularly its 4C texture. It can be challenging to manage—combing, washing, styling—it’s all quite frustrating. Many friends who share my hair type can relate. However, this doesn’t equate to disdain for my hair; it’s a beautiful aspect of myself, often complimented. My confidence in my appearance and self-worth is unwavering.
Regarding Beyoncé, she’s an icon, a source of inspiration. I’ve never intended any disrespect towards her. In fact, I admire her immensely. She symbolizes empowerment and has influenced my career profoundly. Criticizing her is something I’ve never entertained.
Now, addressing a past song I created, I deeply apologize for any offense it caused. The derogatory term used within was picked up from online chat rooms where I spent a lot of time. Its inclusion was misguided, aimed at reclaiming power from those who used it against me. However, the song itself is lyrically poor and has no connection whatsoever to matters as serious as police brutality or the tragic death of Sandra Bland.
Lastly, the accusation of stripping for white supremacists is categorically false and deeply distressing. Such baseless rumors are hurtful and damaging.
I frequent a public chat room, where unfortunately, racism rears its ugly head from time to time. Whether it’s on Tiny Chat, Instagram, or Twitter, it’s distressing how prevalent it is. Tiny Chat, in particular, lacks robust monitoring, allowing such behavior to persist more openly. During my stint as a moderator, I dealt with these issues firsthand, banning offenders for their racist remarks or harassment, especially towards women. Despite its flaws, Tiny Chat is meant to be inclusive, catering to people from all walks of life. However, some encounters can be hurtful.
Addressing a specific incident involving a YouTube clip, I want to clarify any misunderstanding. In a moment of regrettable intoxication, I uttered a highly offensive term. Some misinterpreted it as an endorsement of “race play,” which is not at all my inclination. While I am open-minded and enjoy certain aspects of kink, that particular realm is beyond my interest.
I want to dispel another rumor concerning tweets about Arabic culture or people. Such claims are baseless and absurd. Let’s move on to the topic of my dating preferences. Who I choose to love or be attracted to is entirely my business. Skin color, ethnicity, or religion hold no sway over my affections. Love knows no boundaries, and I refuse to apologize for whom I choose to love.
These are the key points I wanted to address in my apology. I’m grateful for the opportunity to clarify misunderstandings, particularly regarding my song “Dindu Nuffin.” Furthermore, I stand firm in asserting that my dating choices are my own, regardless of any unwarranted scrutiny from others, even from figures in the public eye like Blueface.
Many were harshly criticizing Doja Cat, seemingly because of her preference for white men. While she may be their preference, the feeling isn’t mutual, leading them to exploit any drama as a means to target her unfairly. However, let’s circle back to Doja’s video. I can’t say her apology truly rectified things. Frankly, I’m puzzled as to why she frequents Tiny Chat, knowing its racist user base. My friend was on there just two weeks ago, so it’s not a matter of past behavior. Her excuse of being drunk when using racial slurs in front of white people doesn’t hold up; a drunken mind often reveals true sentiments. Despite addressing many issues, Doja conveniently skipped over a tweet where she diminished the value of blackness. This omission leaves her apology lacking in sincerity for me. Yet, I won’t dwell on every flaw in her apology. I commend her for confronting most rumors, a step many artists in her position shy away from. Numerous artists have made problematic remarks without remorse, receiving no backlash. So, while I won’t excuse Doja’s actions, I won’t hold them against her either. My support lies with unproblematic black artists, like Beyoncé and Meghan Thee Stallion, who recently achieved a number one hit. Share your thoughts on this video below. Don’t forget to like, comment, and subscribe. Thank you for watching, and see you next time. Bye!